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dixie, swing, boogie, blues meg hasonló poros zenék azokból az időkböl, amikor a lányok még ugy szerettek volna tudni főzni, mint a mama, nem ugy inni, mint a papa...

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1920s POP

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1920s POP

10 numbers recorded in the late 20s.

Why. When Day Is Done. From Saturday Night till Monday Morning. I'm Doing What I'm Doing for Love. Hard Boiled Mama. What Does It Matter. Best Things in Life Are Free. The Melody That Made You Mine. Deep Night. She'll Never Find a Fellow Like Me.

Digital Transfer by F. Reeder

1920's Dancing Fools:
This audio is part of the collection: 78 RPMs & Cylinder Recordings

Keywords: 78rpm

Creative Commons license: Attribution-Noncommercial-No Derivative Works 3.0








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Notes

THE BEST THINGS IN LIFE ARE FREE
(From "Good News") (De Sylva-Brown-Henderson)
Jack Smith (The Whispering Baritone)
Victor (VE Scroll) 21039-B Recorded in 1927

DEEP NIGHT - Fox Trot
(Rudy Vallee-Charlie Henderson)
Rudy Vallee and His Connecticut Yankees
Vocal refrain by Rudy Vallee
Victor (VE Scroll) 21868-B Recorded in 1929

WHEN DAY IS DONE
(B.F. De Sylva-Dr. Robert Katscher)
Jesse Crawford (Played on the Wurlitzer Organ)
Victor (VE Scroll) 20838-A Recorded in 1927

FROM SATURDAY NIGHT TILL MONDAY MORNING
(Al Dubin-Alex Marr)
Ted Weems and his Orchestra; Vocal refrain by Parker Gibbs
Victor (Orthophonic) 21009-A Recorded Sept. 20, 1927

I'M DOING WHAT I'M DOING FOR LOVE
(From Warner Bros. picture, "Honky Tonk")
(Jack Yellen-Milton Ager)
Sophie Tucker; Ted Shapiro's Orchestra
Victor (Orthophonic) 21993-A Recorded in 1929

HARD BOILED MAMA Fox Trot
(Conway)
Original Dixie Rag Pickers; Vocal Chorus by Arthur Fields
Radiex 1446(b) (2496) Recorded in 1927

WHAT DOES IT MATTER
(Irving Berlin)
Nat Shilkret and the Victor Orchestra
Vocal refrain by Elliott Shaw
Victor 20471-A Recorded in 1927

THE MELODY THAT MADE YOU MINE
(Cilff Friend-W.C. Polla)
Frank Banta, piano
Victor (VE) 19705-A Recorded in 1925

SHE'LL NEVER FIND A FELLOW LIKE ME
(Walter O'Keefe-Henry Archer)
Ted Weems and his Orchestra
Vocal refrain by Parker Gibbs
Victor (Orthophonic) 21009-B Recorded Aug. 24, 1927

WHY? - Fox Trot
(From the Musical Comedy "Sons O' Guns")
(Davis-Coots-Swantstrom)
Victor Arden-Phil Ohman and Their Orchestra
Vocal refrain by Frank Luther
Victor 22205-A recorded in 1929












61-Central Avenue sounds (könyv) +Nunez

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Central Avenue sounds oral history transcript, 1991 : Art Farmer (1995)

Author: Farmer, Art, interviewee; Isoardi, Steven Louis, 1949- interviewer; University of California, Los Angeles. Oral History Program
Subject: Farmer, Art; Carter, Benny; Collette, Buddy, 1921-; Criss, Sonny, 1927-1977; Davis, Miles; Gillespie, Dizzy, 1917-1993;Gordon, Dexter, 1923-; McGhee, Howard, 1918-; Parker, Charlie, 1920-1955; American Federation of Musicians; Jazz musicians
Publisher: [Los Angeles] : Oral History Program, University of California, Los Angeles
Possible copyright status: In copyright. Digitized with permission of the Regents of the University of California.
Language: English
Call number: SRLF_UCLAYRLSC:LAGE-1218053
Digitizing sponsor: Internet Archive
Book contributor: University of California Libraries
Collection: americana; cdl; yrlsc; oralhist
Notes: Irregular pagination.


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Central Avenue sounds oral history transcript, 1990-1991 : William Ernest Green (1994)




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Olvasgatás közben egy kis háttérzene:

Claudio Nuñez - Odd Times, Uneven Dreams

Claudio Nuñez was born in Buenos Aires in 1959. He studied classical guitar during the 70s, composition with Hilda Dianda and obtained a choral conductor degree in 1980.

Claudio lived in the USA between 1981 and 2004. He has released 7 CDs.


This audio is part of the collection: WM Recordings

Artist/Composer: Claudio Nuñez Keywords: weirdomusic; instrumental; guitar; jazz; fusion; jazzrock;improvisation

Creative Commons license: Attribution-Noncommercial-Share Alike 3.0 Netherlands

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Whole directory Claudio Nuñez was born in Buenos Aires in 1959. He studied classical guitar during the 70s, composition with Hilda Dianda and obtained a choral conductor degree in 1980.

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Claudio lived in the USA between 1981 and 2004. He has released 7 CDs: "Algunas revelaciones sobre el tango chino", "La zappatilla de zappa" "El zen del tango - el tango del zen", "Paseando por lomas", "Solos en la madrugada" "Freejazz on monday" and "Freejazz on sunday".

He has participated in several projects in Los Angeles (Dannie Cove Big Band, Storacci Sextet, Carlos Miralles group, Bhrama Nada and the Nuñez/Tomlinson/Weiss trio), and in New York (Nuñez-Bagnato duet, the Charlie Martins quartet and several versions of the Claudio Nuñez trío, quartet or quintet with people like Sam Hendrix, John Riley, Larry Granadier, Matt Wilson, Charles Gayle, William Parker, George Fernandez, etc.), covering the space from modern jazz to freejazz and avant garde classical to indian classical music and new tango.

Claudio has released 3 albums on Clinical Archives (Freejazz on monday, Freejazz on Sunday, and Solo(s) en la madrugada 1 & 2)











On the road

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http://www.citatum.hu/szerzo/Jack_Kerouac


Ha megpróbálok megfordulni, az egész világegyetem fordul meg velem, de a világegyetem túloldalán se jobb semmivel.





Ronnie Singer live in New York, early

Ronnie Singer (ca. 1927- ca. 1951) was a Chicagoan bebop guitarist. He moved to New York in the late forties / early fifties to play with great jazz players like saxophonists Charlie Parker, Lee Konitz, Zoot Sims, trumpeter Red Rodney, guitarist Jimmy Gourley, pianist Lou Levy, drummer Al Levitt, clarinetist and band leader Artie Shaw, etc. He eventually committed suicide with his wife by asphixia in a gas oven. Here are the sole known recordings of this incredible cat with an unidentified quintet - a great trumpeter (Don Joseph, Don Fagerquist?) and a steady piano-bass-drums rhythm section. Tunes are Vincent Youmans's Tea For Two, Miles Davis's Donna Lee and Ford Dabney's Shine. Tapes were belonging to the late great St. Louisan bebop guitarist Jimmy Gourley, contemporary and friend of Ronnie Singer, who considered him as his greatest influence, ahead Jimmy Raney and Charlie Christian.Date: 1950
Keywords: Ronnie Singer; Jazz; Bebop; Cool; Guitar; Guitarist; 1950; 1950s; Fifties; 50s; Chicago; New York; Tea For Two;MP3 via M3U

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Charlie Parker - Lover Man (take A)


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Thelonius Monk performed by Charles BrooksRoundMidnight

solo vibraphone performance during faculty recital
This audio is part of the collection: Open Source Audio

Artist/Composer: Thelonius Monk performed by Charles Brooks
Keywords: mfcharlieb; solo vibraphone; Monk; Round Midnight; jazz
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Dizzy Gillespie, Louis Armstrong - Umbrella Man[item image]

Upload from youtube. 78 RPM record GRINDING noises are reduced with Goldwave.


This audio is part of the collection: Open Source Audio

Artist/Composer: Dizzy Gillespie
Keywords: Popular
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Groovin' High

This audio is part of the collection: Open Source Audio

Keywords: jazz
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On the road

Charters, Sam
On the road: The Jack Kerouac conference, Sam Charters lecture, Jack and jaz
[item image]

Sam Charters lecture on Jack Kerouac and jazz at the Jack Kerouac conference, sponsored by the Naropa Institute in Boulder, Colorado. The lecture includes discussions on jazz of the Beat generation, be-bop, Thelonius Monk, Dizzy Gillespie, Charlie Parker, and a recording of Kerouac and Steve Allen reading "Mexico City blues."


This audio is part of the collection: Naropa Poetics Audio Archives
It also belongs to collection: audio_bookspoetry

Artist/Composer: Charters, Sam
Date: 1982-07-26 00:00:00
Label / Recorded by: Jack Kerouac School of Disembodied Poetics

Creative Commons license: Attribution-NoDerivs-NonCommercial



Run time: 1:23:44

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Esetleg háttérzenének inditsd el hozzá ezt:

Cannonball Adderley "Somethin' Else" || Jack Teagarden "Basin Street Blues" || Jimmy Smith "The Preacher" || Charlie Parker "Just Friends" || Chet Baker "Someone To Watch Over Me" || Count Basie "Corner Pocket"
[item image]Artist/Composer: Poolside Jazz

Keywords: The best in classic jazz

Creative Commons license: Attribution-NonCommercial-ShareAlike

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Jack Kerouac

A Wikipédiából, a szabad enciklopédiából.

Jack Kerouac (1922. március 12.1969. október 21.) amerikai író, költő és művész. Annak az írói és baráti körnek volt a tagja, amely az általa kitalált „beat nemzedék” néven vált leginkább ismertté.

Kerouac már élete során híressé vált, de kevés kritikai elismerést kapott. Ma viszont jelentős és befolyásos szerzőként tartják számon. Spontán, vallomásos prózai stílusa számos írót megihletett, köztük Tom Robbinst, Lester Bangset, Richard Brautigant és Ken Kesey-t, továbbá aNew Journalism újságírói műfaj egyes szerzőit. Kerouac hatott a baby boom nemzedék zenészeire, beleértve a The Beatlest, Bob Dylant, Morrisseyt és Jim Morrisont. Legismertebb művei az Úton, a Dharma hobók, a Művésztelep és a Cody látomásai (Visions of Cody).

Kerouac ifjú felnőttként vagy a hatalmas amerikai tájakon barangolt, vagy pedig az édesanyjával élt. A háború után átalakuló Amerikában előbb a helyét kereste, de végül elvetette az 50-es évekértékeit és társadalmi normáit. Írásai gyakran tükrözik azt a vágyát, hogy kiszabaduljon a társadalmi kötöttségekből, és magasabb értelmet találjon.

Útkeresése folyamán Kerouac drogokkal kísérletezett, és behajózta a világot. Írásaira gyakran tekintenek úgy, mint a 60-as évek ellenkultúrájának katalizátorára. Kerouac 47 évesen, a floridaiSt. Petersburgban hunyt el, alkoholizmus kiváltotta belső vérzés következtében.

Jack Kerouac
Kerouac by Palumbo.jpg
SzületettLowell, Massachusetts
1922. március 12.
ElhunytSt. Petersburg, Florida
1969. október 21.
Foglalkozásaíró, költő

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